It is said that as long as pysanky (Ukrainian Easter eggs) are being made somewhere in the world, the balance between good and evil is maintained. This blog is a record of my own contributions to saving the world from evil.
Wednesday, November 19, 2014
Leafy Vine Folk Pysanka from Podillya
This folk design comes from a collection of illustrations of pysanky from Podillya (Podolia) in southwestern Ukraine (courtesy of Vira Manko via Luba Petrusha). I've altered the colors here so that the background is dark green; in the original folk pysanka the background is black.
Tuesday, November 11, 2014
Love in a Mist (Duck Egg)
I adapted this avtorska (non-traditional art egg) from a wallpaper design by the arts and crafts movement artist C.F.A. Voysey ("Love-in-a-mist" 1928). I wrote lines on white first, filled in the purple with a brush (applying some shading technique I learned from Mark Malachowski), wrote over the purple, dyed the egg green and wrote the green lines, then etched the egg back to white.
Wednesday, November 5, 2014
Cross with Pussy Willow
This is a diasporan design adapted from a pysanka featured in Ukrainian Easter Eggs and How We Make Them (Egg No. 2).
Monday, November 3, 2014
Embroidered Stars (Turkey Egg)
I developed this design from an embroidery pattern featured in Ukrainian Embroidery by Ann Kmit, Johanna Luciow, and Loretta Luciow. Working from embroidery patterns can be tricky because the white portions are more disperse and colored regions have more a stronger structural role (such as the red lines that divide up the space with the stars).
Tuesday, October 7, 2014
Hutsul Pysanka with Creeping Vine
A modified version of a Hutsul pysanka featured in Zenon Elyjiw's Sixty Score of Easter Eggs (Table 66, No. 8).
Monday, October 6, 2014
Thursday, October 2, 2014
Trypillian Eggs
Although the motifs are ancient and come from pottery made by the Trypillians, a Neolithic–Eneolithic archaeological people in Eastern Europe (ca. 4800 to 3000 BC), adapting these designs to pysanky is a fairly modern task. The designs are fairly challenging since they involve more curved lines than traditional or diasporan pysanky. Both of these designs have been written from unknown online sources.
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